Between the sheets – 21-06-19

Between the sheets - 21-06-19

 

I was listening to ‘Between the sheets’ by The Isley Brothers when I completed this one so I tried to capture the sensual feel of the song in my drawing. The curvy sheets invited me to render the body in in the same way. At some spots I let the body flow into the sheets, following the diagonal rhythym. I often tell my students true abstraction lies in imagining the impossible and making sound and essential choices out of an endless sea of possibilities. Without making them any art work becomes plane realistic and that is or should be no fun for anyone.

 

Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (21 x 29.7 x 0.1 cm) - A4 format)

Artist: Corné Akkers

Sales info: info@corneakkers.com

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About corneakkers

1969, born in Nijmegen. My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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