Voorburg – 09-05-19​

Voorburg - 09-05-19



In springtime Voorburg is a wonderful place to be. The Old Church is catching light and the big ol’ tree in front of it is shattering the light on top of the church roof. The challenge was to maintain transparency of the leafs while on the other hand the leafs contrasted the sky to a slightly darker tone. I kept city hall ‘Swaensteyn’ and the Herenstraat to the left quite abstract in order to stay focused on the tree and the church being the dominant factor on the right.

 

Graphite pencil drawing (Pentel 0.5 mm, 3B) on Canson Bristol paper (10.5 x 14.8 x 0.1 cm – A6 format)

Artist: Corné Akkers

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About corneakkers

1969, born in Nijmegen. My work can be seen in many countries all over the world. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My favorites in doing so are oil paint, dry pastel and graphite pencil. It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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