Cubist Expressionism – 08-09-20
After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.
Golden brown – 24-08-20
The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel sticks. I also happened to find an old pastel stick (gold, Cretacolor 48254) that I did not use yet.
The Implicite Order – 11-03-20
A continuation of the previous painting called ‘The Implicite Order – 20-02-20’, commissioned by an American collector.
2nd March 2020
Sold a print through noirgallery
27th January 2020
Sold an art work through singulart.com
The widow of Aleppo (2019)
Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.
Voorschoten – 11-03-19
Last year I was walking through sunny Voorschoten, a town in the north to where I live.
Roundism – 12-05-18
Buy now: a printable (downloadable digital hi-res picture) in my web shop € 3.99 Buy a print of this artwork through ArtPal, Redbubble or Society6(different sizes available) Buy a NFT (Non Fungable Token) of this artwork through Noisy Panda World (inclusive original) Roundism – 12-05-18 Color versus Tonality I tell my students often about tonal […]
Roundism – 13-03-18 (sold)
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
Roundism – 20-02-18
This oil painting is the final piece on the series of the pastel and graphite pencil drawing on the same theme. I decided to abstract the female figure even more, reducing the oily reflections on her body to cubist planes, creating rhythym and diction of light and dark tones.