My model and I were looking for intesting poses and on the bedside there it was: a beautiful one with some interesting lighting. Sometimes extreme light like in this particular case can offer a new insight in compositionary possibilities.
Not often is it that I depict animals with children but this one is a beautiful exception
These Corona days I wander about the region like I am used to. Nothing changed in this respect and I am more than happy that we in The Netherlands have at least some freedom of movement and that the end of our ‘intelligent lock down’ is in sight
Last year this time around Spring I started a series of small graphite pencil landscapes, one per day.
The second one of Oosterbeek this week and I chose a specific spot in the park where there is a bend in brook running through it.
This is the fifth drawing of Gouda, a beautiful city in Zuid-Holland, Netherlands, not far from where I live. It is a depiction of the Sint-Janskerk from the Market (de Markt).
Last weekend I was walking through Veere at Zeeland, Netherlands, a little pittoresque town. I returned to my car when I saw the sign ‘city wall tour’ and I decided to take that one and then, when I climbed onto them, I saw this great composition that reminded me of Caravaggio’s ‘Descent from the cross’, a perfect staircase composition – triangles within one big triangle.
Last year I was walking through sunny Voorschoten, a town in the north to where I live.
Once I was at the roof top of a friend of mine who held an exhibition in her home at Leischendam, looking over ‘De Sluisjes’ (the locks) in the centre.
Last week I was walking in the direction of Museum Gouda to visit the exhibition ‘From Gauguin to Toorop’ when I saw this canal adjacent to the museum, opposite to the old church of Gouda.