This drawing of a woman in a red kimono is based on a session with my regular model. It so happened that I teamed up with a student of mine who rents a lovely studio in The Hague.
This graphite pencil drawing of Maassluis is an inbetween exercise. Lately I am fantasizing about combining ‘realism’ or whatever realism might mean to an artist and my personal roundism style.
Just on the brink of Christmas I thought I should make a roundism drawing looking rather risqué. It was a strange and hefty year for us all, I think.
Some time ago I visited De Smorenhoek, a small but long meadow surrounded by wood embarkements. From Beek-Ubbergen it runs upwards to Berg en Dal.
Years ago I saved a vintage picture of a nude on the beach. Origin unknown and my best guess would be from the 1930s or 1940s. The picture was rather grainy and but it showed a great composition of a female body in slanted position.
In my classes I often use ‘The Entombment of Christ’ by Caravaggio to demonstrate how artists normally distribute space. Next to this, in my eyes a great artist is one who lets the composition reflect the idea the main theme has to to convey.
And it so happens my niece Lilian turned out to be a great photographer. Lo and behold, artistry runs deep in the veins of our family and I asked her to use a beautiful photo she took of a treeline in Puiflijk, near to where she lives.
The previous drawing Roundism – 06-11-20 was set up rather elementary, contary to this one.
After Roundism – 27-10-20 I thought to postpone future colored pencil drawings for a while and return to graphite pencil.
Last model session resulted in a nice pose through which I was inspired to continue my roundism series.