Den Haag – Nieuwe Kerk – 26-05-23 (sold)
This graphite pencil drawing ‘Den Haag – Nieuwe Kerk – 28-05-23’ takes me back to my present residence.
This graphite pencil drawing ‘Den Haag – Nieuwe Kerk – 28-05-23’ takes me back to my present residence.
This graphite pencil drawing ‘Louise Brooks – 06-12-22’ is the latest in the eponymous series.
This graphite pencil drawing ‘Roundism – 28-10-22’ follows my cubist interpretation of Louise Brooks’ facial features. The latter was done in colored pencil. However, I had a good reason to do this one in matt graphite only.
This colored pencil drawing ‘Louise Brooks – 21-10-22’ is something I wanted to do for a long time. Naturally the reason was to see how colored pencil would react to Ingres paper.
This graphite pencil drawing ‘Art Deco Nude – 02-10-22’ follows after the (tentative) completion of my Darja Collins series.
This graphite pencil drawing ‘Art Deco Nude – 05-09-22’ follows up ‘The fabulous burki lippe and wassenaar trio – 02-09-22’.
Graphite Pencil drawing ‘Art Deco Nude 29-08-22’ is the next one in line after ‘Sienna – 25-08-22’.
This graphite pencil drawing ‘Roundism – 17-08-22’ follows its angular version of two days ago. Surely Walter Bird’s reference photograph was good enough to draw two versions from it.
After the last Roundism drawing I immediately wanted to do another one. It became ‘Art Deco Nude – 15-08-22’.
Art Deco Nude – 11 -08-22 is my third graphite pencil drawing done with my Faber-Castell Pitt Graphite Matt pencils. A couple of days after the second but I had a busy schedule of meetings, uploading and painting of course.
Surely it is time to pay homage to Eugène Durieu, especially his photograph of a seated female nude. This time I found it was time to return to straight cubist planes after the latest anaglyphical experiment.
This graphite pencil drawing ‘Family – 25-01-22 (sold)’ is a commissioned piece, just as the last commission ‘Opa – 14-04-21 (sold)’.
This colored pencil drawing depicts the Herengracht in Leiden, Netherlands. The canal with its beautiful houses for the rich stands out in its grandeur compared to other minor ones.
Following my last drawing of her this one of Geesje kwak was next in line. I must confess I get the hang of it or should I admit to an obsession? Well, maybe not that hefty but her appearance keeps intriguing me
Today I returned to roundism again. Did you ever have the feeling that you had to burn all bridges? Something you could spend the rest of your life doing felt familiar and safe but nevertheless… Last year I did my last roundism drawing. After the completion I instinctively thought that was one final mark and then stop. Well, now I am not so sure anymore.
Last Saturday I went to the Heineken Music Hall near the Johan Cruijff ArenA for my second vaccination shot. On the other side of the A2 there is Ouderkerk aan de Amstel, a village to the south of Amsterdam.
Sometimes a model just can’t let go. After my last drawing Geesje Kwak still lingered in my mind. I also happened to find more pictures of her, taken by Breitner.
There is this girl that I know for a long time: Geesje Kwak. Throughout the decades I visited many museums. Once in a while I also come across Breitner’s famous oil paintings in the ‘Girl in Kimono series’.
Last Saturday I came across the outer edge of the Waalsdorpervlakte. By chance I was walking down a small footpath next to the International Criminal Court at The Hague, Nethelands. Suddenly there it was, the motif I was anxiously searching for that day.
Sometimes a portrait commission comes along. This time it was the commissioneer’s opa (grandfather). Usually I am reluctant in accepting such assignments but this one was fun to do. The lighting was beautiful: full of midtones so I could study the skin folds thoroughly.
Marlot is close to where I live. On my morning walks I can choose between the Haagse Bos or Estate ‘Oosterbeek’ farther away. Up north there Park Marlot I have sketched a couple of times. There is also the residential area with villas and big semidetached mansions. On my way back I saw this incredible lane with a sun bursting through the dense tree branches.
On my walks I came across Estate ‘Oosterbeek’ again. I was in the mood to do another landscape after my last one of Buitengoed Leeuwenbergh. After all, Spring has arrived and South Holland is covered in sunlight. Let’s hope the sun will bring relief in this cursed pandemic.
This pastel drawing ‘Golden Roundism – 03-03-21’ is based on a graphite pencil drawing ‘Roundism – 03-01-16 (sold)’. After the previous pastel ‘Golden Purple – 25-02-21’ I thought it would be fun to pull a really old one out of the drawer.
Just on the brink of Christmas I thought I should make a roundism drawing looking rather risqué. It was a strange and hefty year for us all, I think.
And it so happens my niece Lilian turned out to be a great photographer. Lo and behold, artistry runs deep in the veins of our family and I asked her to use a beautiful photo she took of a treeline in Puiflijk, near to where she lives.
A cat comes in handy when you are out of options and do not want to simply draw a pretty picture of a beautiful woman.
In 2018 I was visiting the Stedelijk Museum Schiedam with my parents to see the exhibition of art works by Jan Henderikse, a representative of the Dutch Zero group.
Not often is it that I depict animals with children but this one is a beautiful exception
A commissioned piece. I never did a cottage, Usually it is either trees or women. It is often with commissions like these that I come to study things and structures I normally do not draw or paint.
Today’s my birthday and I thought I’d offer you something different: a special treat.