Of late I was busy painting ‘The Restoration of Bettie Page’ and since a month or so drawings do not sprout from my pencil that often. But sometimes you have to let the painting be for a day and return to drawing process.
Last day of the year and completed a work in progress I started during a live session with my regular model. With just two simple LED reading lamps I got the atmosphere right
Last Thursday 21th of November I had my regular model over again in my studio and it was a good session. I placed two led light sources next to her, creating a nice razor light over her body.
It was time to return to my roundism style and the position of this one inspired to me show the flow her hips suggest.
Model sketching time again. My mind was occupied with many other projects but live model sketching always has priority. Whereas skecthing often is called the primary process, live model sketching I consider to be primus inter pares.
No doubt about it: cats are portals to the other side and through the vortices of their curly tails we are directly drawn into it.
I saw this great vintage picture of a nude on the roof top of an open van and I liked the styled planes it already showed: the squares in the open door, some round ones in the model and some great diagonals. The woman has great nipples and I guess I will not post this one on some of the social media.
I found a great vintage photo online that inspired me to put this female body on paper using triangles and round shapes, strengthening the pyramid like pose.
This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.
Another drawing of a clairobscur forest lane at Park Sonnenburgh in Voorburg, Netherlands, conveniently lingering about around the corner of where I work.