Last day of the year and completed a work in progress I started during a live session with my regular model. With just two simple LED reading lamps I got the atmosphere right
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
Last Thursday 21th of November I had my regular model over again in my studio and it was a good session. I placed two led light sources next to her, creating a nice razor light over her body.
Saturday 16th Novembern2019 I had Julia Gómes Avilés over as a model again. I wanted to express her dancing skills by a dynamic pose in which she holds her foot and combine it with her bodily features running off paper like natural waves.
I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.
Model sketching time again. My mind was occupied with many other projects but live model sketching always has priority. Whereas skecthing often is called the primary process, live model sketching I consider to be primus inter pares.
My model came with this pose Modonna used for one of her albums. Originally it was intented to do square sized pastels because I happen to have 4 spare square frames but today I saw a greater scheme I had to work out first.
This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.
Another drawing of a clairobscur forest lane at Park Sonnenburgh in Voorburg, Netherlands, conveniently lingering about around the corner of where I work.
In the dead of summer means I am in the midst of the outdoor sketching season. Although I did not complete this one on the spot the invention of the basic composition and planal distribution were done at Katendrecht, Rotterdam. The vista is directed at Hotel New York that nowadays looks almost encapsulated by skycrapers. I was there long ago but the cityscape almost was inrecognizable. The watertaxi was done in my studio because they keep on moving all the time. Nevertheless a new typical sight in swinging Rotterdam. Although, the drawing seems rather detailed, I kept it quite impressionistical.