This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.
Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.
Some time ago I saw underwater excavation pictures of Heracleion, an ancient Egyptian city submerged.
The Revelation of Bettie Page (2018) In this painting I tried to work out some grand themes: sex and religion. There is nothing more to say about the ‘what’. About […]
I was walking on a Sunday afternoon, the last very hot one of this summer and the central square was deserted. No one was there because of the dying heat and I saw naked women dancing on it.
A classic model study I did yesterday at Leidschendam, Netherlands.
Roundism – 12-05-18 I tell my students often about tonal values and that colors lack them. Colors have no values, they show relations. Painting this black woman I want to […]
A pastel of a treescape at Royal estate ‘De Horsten’ at Wassenaar, Netherlands. This one I did last Saturday for a group of pastel students and limited myself to appromixately 2 hours, synchronizing to the time span of the pastel workshop, in order for them to relate to a quick build-up without throwing too much details like leaves and branches.
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
This oil painting is the final piece on the series of the pastel and graphite pencil drawing on the same theme. I decided to abstract the female figure even more, reducing the oily reflections on her body to cubist planes, creating rhythym and diction of light and dark tones.