Una in aliam – 01-09-19
This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.
inspirational
The widow of Aleppo (2019)
Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.
Isis – 25-01-19
Some time ago I saw underwater excavation pictures of Heracleion, an ancient Egyptian city submerged.
The Revelation of Bettie Page (2018)
The Revelation of Bettie Page (2018) In this painting I tried to work out some grand themes: sex and religion. There is nothing more to say about the ‘what’. About […]
Free Gouda! – 25-08-18
I was walking on a Sunday afternoon, the last very hot one of this summer and the central square was deserted. No one was there because of the dying heat and I saw naked women dancing on it.
Model session @ Leidschendam – 14-05-18
A classic model study I did yesterday at Leidschendam, Netherlands.
Roundism – 12-05-18
Roundism – 12-05-18 I tell my students often about tonal values and that colors lack them. Colors have no values, they show relations. Painting this black woman I want to […]
Royal estate ‘De Horsten’ – 02-04-18
A pastel of a treescape at Royal estate ‘De Horsten’ at Wassenaar, Netherlands. This one I did last Saturday for a group of pastel students and limited myself to appromixately 2 hours, synchronizing to the time span of the pastel workshop, in order for them to relate to a quick build-up without throwing too much details like leaves and branches.
Roundism – 13-03-18 (sold)
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
Roundism – 20-02-18
This oil painting is the final piece on the series of the pastel and graphite pencil drawing on the same theme. I decided to abstract the female figure even more, reducing the oily reflections on her body to cubist planes, creating rhythym and diction of light and dark tones.