Buy a print of this artwork through Redbubble
Also available as 80+ more products on Redbubble
This drawing concentrates on triangular structures the female body often can show when posing in a slanted position. In the previous one Sans Titre – 30-03-18 depicting ‘Marilyn Monroe’ I already had incorporated some triangles and other forms. Therefor I set out to find some more. My personal style ‘Roundism’ initially was all about swirls and curves, hence the descriptive name. Throughout the years I wanted more though. What if I could combine straight and curved lines and planes? Roundism 06-02-18 (Sold) is a clear example of this. Let’s delve into these further.
Looking a the model’s position I immediately spotted the attractive zig-zag she strikes with her pose. The negative space between torso and elbow was a beautiful triangle to begin with. Surely not something to ignore. That one was the kick-off for creating contasts between the straight edgy contours and the curvy swings. Next to this I enforced a diagonal rhythym of light and dark planes. The result is a sort of pattern of sound waves, resonating body structures. These waves are also visible in the curves in the negative space above her breast and calf.
What I got from this new experiment is yet another insight in how important to me tonality is. Personally I always need to correctly depict or even exaggerate tonal values in contrast with cubistically styled forms. Traditional cubism I refuted a long time ago. Multi-perspectivism for that matter isn’t going to work for me as well. I mean, where does the light comes from in Picasso’s and Braque’s early paintings? What does this say about my own artistic presumtions? Consequently must I abandon the link I make between cubism and my own style Roudism one day. Can you come up with another – not descriptive – name? Do we need to call a spade a spade?
Click here to read further on my Blogger.
Click part 1, part 2 to read about the sale of two prints through elephantstock.com.
Graphite pencil drawing (Pentel 0.5 mm, 3B) on Strathmore Bristol paper (21 x 29.7 x 0.1 cm) – A4 format)
Artist: Corné Akkers
Sales info: info@corneakkers.com