And now for something completely different: cows in Marlot. I wanted to change the subject for once and do a drawing similar to the horses in my drawing Laren 30-04-20.
After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.
The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel sticks. I also happened to find an old pastel stick (gold, Cretacolor 48254) that I did not use yet.
Being a deep sea fish a coelacanth hardly ever come face to face with a white shark way up high but sometimes it does. If so, what would you expect to happen.
Animals kept crawling in so it was inevitable to incorporate them into these series. The first one I saw was a lioness in her thight and second the hares in her buttocs.
Next move on my Venus trail. I decided to do another surrealist one or is it? I put in some of my earlier themes like ‘singarity’, ‘the golden ratio’ and combine them with ‘the collapse of the wave function’.
A continuation of the previous painting called ‘The Implicite Order – 20-02-20’, commissioned by an American collector.
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It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
Saturday 16th Novembern2019 I had Julia Gómes Avilés over as a model again. I wanted to express her dancing skills by a dynamic pose in which she holds her foot and combine it with her bodily features running off paper like natural waves.