Solarized Roundism – 07-03-22
A new oil painting based on my graphite pencil drawing ‘Solarized Geometry -26-11 21’. After the previous one ‘Rusalka, Free Floating in Russian Waters – 28-02-22’ I was in for something new. In fact, I always am and that mindset prevents me from repeating the same old same.
Rusalka, Free Floating in Ukrainian Waters – 28-02-22
This oil painting I would like to call ‘Rusalka’ in honor of the latest developments in Ukraine. It is an elaboration of my pastel drawing ‘Free Floating Blue Wave Nude – 10-02-21’.
Risque – 22-02-22
This Risque oil looks like a wild Liberace. Or could it be that I was inspired by the song ‘Digital Love’? Often I get these almost synaesthetic feelings whilst listening to music.
Marlot – 24-09-20
And now for something completely different: cows in Marlot. I wanted to change the subject for once and do a drawing similar to the horses in my drawing Laren 30-04-20.
Cubist Expressionism – 08-09-20
After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.
Golden brown – 24-08-20
The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel sticks. I also happened to find an old pastel stick (gold, Cretacolor 48254) that I did not use yet.
The Venus of The Hague – 23-07-20
Being a deep sea fish a coelacanth hardly ever come face to face with a white shark way up high but sometimes it does. If so, what would you expect to happen.
The Venus of The Hague – 09-07-20
Animals kept crawling in so it was inevitable to incorporate them into these series. The first one I saw was a lioness in her thight and second the hares in her buttocs.
The Venus of The Hague – 24-06-20
Next move on my Venus trail. I decided to do another surrealist one or is it? I put in some of my earlier themes like ‘singarity’, ‘the golden ratio’ and combine them with ‘the collapse of the wave function’.
The Implicite Order – 11-03-20
A continuation of the previous painting called ‘The Implicite Order – 20-02-20’, commissioned by an American collector.