After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.
Sold this art work to a Swiss collector through singulart.com
Being a deep sea fish a coelacanth hardly ever come face to face with a white shark way up high but sometimes it does. If so, what would you expect to happen.
Animals kept crawling in so it was inevitable to incorporate them into these series. The first one I saw was a lioness in her thight and second the hares in her buttocs.
Next move on my Venus trail. I decided to do another surrealist one or is it? I put in some of my earlier themes like ‘singarity’, ‘the golden ratio’ and combine them with ‘the collapse of the wave function’.
A continuation of the previous painting called ‘The Implicite Order – 20-02-20’, commissioned by an American collector.
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.
My model came with this pose Modonna used for one of her albums. Originally it was intented to do square sized pastels because I happen to have 4 spare square frames but today I saw a greater scheme I had to work out first.
This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.