I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.
My model came with this pose Modonna used for one of her albums. Originally it was intented to do square sized pastels because I happen to have 4 spare square frames but today I saw a greater scheme I had to work out first.
This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.
This drawing depicts Lily Elsie, Edwardian actress and singer. I liked the hair volume, its curls and planes.
Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.
The sheets on my duvet on which my model lay show nice checkered patterns. Her body contrasted them quite nicely and I decided to exploit this to the max.
This drawing is to celebrate human achievements and imagination in particular. To see one thing in another is something very real, surreal and metaphysical altogether.
Mira (2019) (sold) A commission for a drawing of a young woman that I already painted 9 years ago. Then a teenager, now a young woman and an excellent way […]
Some time ago I saw underwater excavation pictures of Heracleion, an ancient Egyptian city submerged.
I just loved to break up a female’s body into vortices of vibrant colours one time and so this is the smashing result.