Risque – 18-01-22
A new drawing in the Risque Series. This time executed with colored pencils. It turned out to become quite different from the previous graphite pencil drawing ‘Risque – 11-01-22’.
Risque – 11-01-22
This graphite pencil drawing ‘Risque – 11-01-22’ is the third one of Julia Filament after the session of last 30th December. As previously said I found it to be an exciting session during which she took many great poses.
Hold Your Horses – 04-01-22
This graphite pencil drawing ‘Hold Your Horses – 04-01-22’ was a done deal in my head already during the live session.
Tribute to Alma Tadema – 28-12-21
Time for a tribute to Lourens Alma Tadema and why not? Vermeer, Rembrandt, Van Gogh, Mondriaan and De Kooning are house hold names.
Claudia – 06-12-21
Claudia is one of my talented students and she is about to turn 60 years old. Unfortunately I cannot give it to her personally because a planned surprise party is thwarted by Corona. Some luck however. The drawing will be included in a sort of liber amoricum and at first opportunity next year the party’s on for real. Anyway, I hope she likes it.
Solarized Roundism – 26-11-21
This graphite pencil drawing ‘Solarized Roundism – 26-11-21’ concerns a pose I had my model strike a couple of sessions ago. Strangely it takes me back a year ago when I experimented with solarization during the first lockdown in the Netherlands.
The Evelation of Julia Filament – 15-11-21
It is time for the elevation of Julia Filament. Sunday 7th November I finally met her again and we went to the Singer Laren Museum. She is a fine artist, graphic designer and great model.
Aachen – 03-11-21
Sunday last October 17th my parents and I visised the once-in-a-lifetime exhibition of Albrecht Dürer art works and contemporaries. Crime scene: Suermondt-Ludwig Museum at Aachen, Germany.
盖 西 纳 嘎 在 太 空 – 20-10-21
Who would have ever though of Geesje Kwak in Space? Of course she already was fond of higher spheres.
Geesje Kwak – 08-10-21
After my last graphite pencil drawing of Geesje Kwak -04-09-21 I felt one was missing in the series. I found a perfect mix of roundism and classic 17th lighting in the best Caravaggio and Rembrandt tradition.
