Glass vase (2016)
A quick painting I made the morning before afternoon’s workshop ‘painting glass’.
A quick painting I made the morning before afternoon’s workshop ‘painting glass’.
A study after the glow of satin. The women at The Hague Market looked very surprized when I asked for 5 mtr of her finest pink satin. One does everything for art.
A still life in which I tried to combine cubism and realism in such respect that the cubistic papaya would be looking realistic as well.
A surreastic oil painting with an ashtray and flowers as cigars. I liked painting the texture of fire so I had to come up with a dark negative space to sett off the light sufficiently.
One of the many oil paintings but few still lifes I made throughout the years.
In my ever struggle with still lifes I wanted to do a styled flower like a Strelizia and put it in a granate shell my grandfather retrieved from a German Flak position at Nijmegen during W.W. II and light it with a maclite mini torch from within the shell.
Twice it came back to me because of the partner of the purchaser didn’t agree with the vibrator. The third time was a charm.
A study after sunlight hitting a still life with extreme backlight, with hints of impressionism.
A quick study. I liked doing something simple and I arranged the objects in a triangular position. With only some faint color usage. I guess I was learning the trade of oil painting still, seeing this one after all these years.
A surrealistic still life because, after all, still lifes are very boring and very still in the first place.
Since my birth I am a fan of big empty spaces. I painted this one in my previous apartment at the Erasmusweg, The Hague, Netherlands and used it as a stage to suggest emptiness.
An early attempt to draw realistic motifs. I can see that all depth still is lacking and I cannot remember when I saw tonal values for the first time.