Not often is it that I depict animals with children but this one is a beautiful exception
Being a deep sea fish a coelacanth hardly ever come face to face with a white shark way up high but sometimes it does. If so, what would you expect to happen.
Animals kept crawling in so it was inevitable to incorporate them into these series. The first one I saw was a lioness in her thight and second the hares in her buttocs.
Next move on my Venus trail. I decided to do another surrealist one or is it? I put in some of my earlier themes like ‘singarity’, ‘the golden ratio’ and combine them with ‘the collapse of the wave function’.
These Corona days I wander about the region like I am used to. Nothing changed in this respect and I am more than happy that we in The Netherlands have at least some freedom of movement and that the end of our ‘intelligent lock down’ is in sight
Estate ‘Voorlinden’ at Wassenaar, Zuid-Holland, Netherlands has become my favourite park because it holds everything dear to me: a classic mansion from the 1920s, a museum of modern art with an interesting collection and last but not least a park surrounding the main buildings of equisite quality.
Last year this time around Spring I started a series of small graphite pencil landscapes, one per day. I finished my last Bettie Page painting some time ago, started a new project ( Frida Kahlo), the Corona crises came apparent and my art teachings came to a sudden end. Crash-bang-wallop!
The second one of Oosterbeek this week and I chose a specific spot in the park where there is a bend in brook running through it.
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.