Cubist Expressionism – 08-09-20
After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.
Golden brown – 24-08-20
The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel sticks. I also happened to find an old pastel stick (gold, Cretacolor 48254) that I did not use yet.
The Implicite Order – 11-03-20
A continuation of the previous painting called ‘The Implicite Order – 20-02-20’, commissioned by an American collector.
2nd March 2020
Sold a print through noirgallery
27th January 2020
Sold an art work through singulart.com
Julia – 19-11-19
Saturday 16th Novembern2019 I had Julia Gómes Avilés over as a model again. I wanted to express her dancing skills by a dynamic pose in which she holds her foot and combine it with her bodily features running off paper like natural waves.
The widow of Aleppo (2019)
Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.
Roundism – 12-05-18
This oil painting ‘Roundism – 12-05-18’ is a sound statement. I wanted to show the world black is not a color to be found in skin hues.
Roundism – 13-03-18 (sold)
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
Roundism – 20-02-18
This oil painting is the final piece on the series of the pastel and graphite pencil drawing on the same theme. I decided to abstract the female figure even more, reducing the oily reflections on her body to cubist planes, creating rhythym and diction of light and dark tones.
