After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.
Model sketching time again. My mind was occupied with many other projects but live model sketching always has priority. Whereas skecthing often is called the primary process, live model sketching I consider to be primus inter pares.
Last session with my model I wanted to have her pose a little bit more risqué but counterbalance it by keeping the hatched strokes rather rough than to finepolish them into tonal matching strokes that would approach realism too much.
The object was to do a pastel drawing similar to ‘model session – 17-01-19’ but to keep the hatched strokes rather wide. I also wanted to combine more complementary colour combinations in order to get a greyish look while on the other hand those hatched strokes look very saturated up close.
Last Thursday it was time for my regular model to sit for me in my studio. I keep a clean blanket for her she can sit on.
When I go to teach at Studio Brugman, atVoorburg I often come across The Dome (De Koepel), situated in the middle of estate ‘Vreugd en Rust’. When I saw the autumn sun burst through the trees I saw the link to the ‘inner necessity’ felt by people like Alexej von Jawlensky and Kadinsky from the ‘Blaue Reiter’ movement. 1 + 1 equals two and that very sun and the exhibition I visited last Sunday at the Gemeentemuseum where I saw all his works, culmunated into this piece, rather expressionistic of nature, in which I expressed my inner necessity.
This evening I had a great session with my main model throughout the years. She is slender, knows what I want and shows dark skin tones, giving my the possibility to fool around with all sorts of colours.
Some months ago I started attending some drawing sessions at Rotterdam where I did short positions again.
Situated in The Hague and blasting in the sun,
I was inspired by Mondriaan’s orange mill when I did this piece. I executed it in quite expressionistic colours.