Between the sheets – 21-06-19 (sold)
I was listening to ‘Between the sheets’ by The Isley Brothers when I completed this one so I tried to capture the sensual feel of the song in my drawing.
I was listening to ‘Between the sheets’ by The Isley Brothers when I completed this one so I tried to capture the sensual feel of the song in my drawing.
There is this specific spot in Voorburg at the beginning of the Herenstraat where it is particulary beautiful.
In springtime Voorburg is a wonderful place to be. The Old Church is catching light and the big ol’ tree in front of it is shattering the light on top of the church roof.
I went to visit the Amsterdam Rijksmuseum with my parents to see the exhibition ‘Alle Rembrandts’: All Rembrandt sketches and etchings, well most of them anyway.
I was heading for Julia Filament’s exhibition on Katendrecht when I decided to take a detour through Kethel, a small encapsulated village in the north of Schiedam, near Rotterdam.
I am in a spring kind of mood and since my last drawing I see more blossoms although real fine weather is only due for next week.
The Vossendijk is the place where I was born, situated in Nijmegen, Gelderland, Netherlands.
This drawing is to celebrate human achievements and imagination in particular. To see one thing in another is something very real, surreal and metaphysical altogether.
This drawing is to celebrate the holy bond between the artist and his model.
Mira (2019) (sold) A commission for a drawing of a young woman that I already painted 9 years ago. Then a teenager, now a young
The brown eyed girl (2018) (sold) A commission for a classic portrait. I focused on the complexion of the beautiful young woman from indonesian and
Last week I went to visit Museum Kranenburgh at Bergen, Noord-Holland, Netherlands.
I was going to name this drawing ‘Heavenly Body – 17-10-18’, ‘Across the Universe’ after the Beatles song
I am not sure what I thought about her, except for her strong personality. I sometimes liked her paintings and then I didn’t. What I have in common with her is that we both are autodidacts and that we like(d) to go our own way in life. Somehow I always come across her once in a while and that is why I decided to draw her. I saw a lovely – rare – nude photograph and thought I’d include her in my sans titre / roundism series.
I just loved to break up a female’s body into vortices of vibrant colours one time and so this is the smashing result.
Once I was at the roof top of a friend of mine who held an exhibition in her home at Leischendam, looking over ‘De Sluisjes’ (the locks) in the centre.
Creation is a transformational process. I am fascinated by the thought I evoke chaos turning my graphite pencil fillings into dust and my pencil eraser into crumbles, but at the same time creating something new.
I always liked Diana Ross (except for that ghaslty song ‘My Old Piano’) and when I saw a video recently I was intrigued by this shiny 80-dress oozing out glitter and glamour.
At the time of completing this drawing The Sigg collection is on display at the Noord-Brabants Musem at ’s-Hertogenbosch, Netherlands.
This drawing started out with the framing of a circle, being the model’s right breast.
This drawing concentrates on triangular structures the female body often can show when posing in a slanted position.
Seeing a photo of 1930s moviestar Myrna Loy reminded me of why I like this kind of photography so much.
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
Some time ago I saw two horses when I walked across a small meadow. I was on my way to Museum Singer at Laren, Noord-Holland, Netherlands. It so happened that they were standing close to my favorite tree I painted years ago (Autumn Tree at Laren).
Recently I saw a picture of a model passing by posing a great triangular shape.
Based on a prestudy in pastel (Model – 01-12-18) I made this painting in oil. My objective was to stay in line with the fauvist colour kind of strokes (in case of the pastel they were pretty much ‘broken’ and ‘open’ strokes / patches) but also to get to a more abstract feel by means of rendering the model slighty cubistic.
Of late I use models lubed with a lot of oil, just like this art deco-style photograph, in order to obtain great highlights, lovely midtones and smashing darker tones, all divided by abrupt threashold values.
The 26th of December 2017 I was attending a concert by the Symfonie Orkest Nijmegen in the Stevenskerk at Nijmegen, Gelderland, Netherlands.
A new graphite pencil drawing in the roundism series in which I experimented with deformations of body shapes with the purpose of keeping the forms as ‘open’ as possible, so all forms can breathe, flowing from one into another.
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