Mira (2019) (sold)
Mira (2019) (sold) A commission for a drawing of a young woman that I already painted 9 years ago. Then a teenager, now a young
Mira (2019) (sold) A commission for a drawing of a young woman that I already painted 9 years ago. Then a teenager, now a young
The brown eyed girl (2018) (sold) A commission for a classic portrait. I focused on the complexion of the beautiful young woman from indonesian and
Last week I went to visit Museum Kranenburgh at Bergen, Noord-Holland, Netherlands.
I was going to name this drawing ‘Heavenly Body – 17-10-18’, ‘Across the Universe’ after the Beatles song
I am not sure what I thought about her, except for her strong personality. I sometimes liked her paintings and then I didn’t. What I have in common with her is that we both are autodidacts and that we like(d) to go our own way in life. Somehow I always come across her once in a while and that is why I decided to draw her. I saw a lovely – rare – nude photograph and thought I’d include her in my sans titre / roundism series.
I just loved to break up a female’s body into vortices of vibrant colours one time and so this is the smashing result.
Once I was at the roof top of a friend of mine who held an exhibition in her home at Leischendam, looking over ‘De Sluisjes’ (the locks) in the centre.
Creation is a transformational process. I am fascinated by the thought I evoke chaos turning my graphite pencil fillings into dust and my pencil eraser into crumbles, but at the same time creating something new.
I always liked Diana Ross (except for that ghaslty song ‘My Old Piano’) and when I saw a video recently I was intrigued by this shiny 80-dress oozing out glitter and glamour.
At the time of completing this drawing The Sigg collection is on display at the Noord-Brabants Musem at ’s-Hertogenbosch, Netherlands.
This drawing concentrates on triangular structures the female body often can show when posing in a slanted position.
Seeing a photo of 1930s moviestar Myrna Loy reminded me of why I like this kind of photography so much.
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
Some time ago I saw two horses when I walked across a small meadow. I was on my way to Museum Singer at Laren, Noord-Holland, Netherlands. It so happened that they were standing close to my favorite tree I painted years ago (Autumn Tree at Laren).
Recently I saw a picture of a model passing by posing a great triangular shape.
Based on a prestudy in pastel (Model – 01-12-18) I made this painting in oil. My objective was to stay in line with the fauvist colour kind of strokes (in case of the pastel they were pretty much ‘broken’ and ‘open’ strokes / patches) but also to get to a more abstract feel by means of rendering the model slighty cubistic.
Of late I use models lubed with a lot of oil, just like this art deco-style photograph, in order to obtain great highlights, lovely midtones and smashing darker tones, all divided by abrupt threashold values.
The 26th of December 2017 I was attending a concert by the Symfonie Orkest Nijmegen in the Stevenskerk at Nijmegen, Gelderland, Netherlands.
A new graphite pencil drawing in the roundism series in which I experimented with deformations of body shapes with the purpose of keeping the forms as ‘open’ as possible, so all forms can breathe, flowing from one into another.
Yesterday’s session at Rotterdam offered Gabriëlle, the model of that Sunday afternoon. She had great hip bones and was slender, thus showing great angles and triangles with her body.
Working again with my favourite model I took bodyscapes of her and saw limbs running back on the canvas apparently deattached from the body.
A commissioned piece done in an impressionistic style with lots of clairobscur. I had to come up with a solution for depicting his pale skin hues and still rendering them too unsaturated.
Some time ago my mother and I visited the Mauritshuis at The Hague, Netherlands, in order to show the neighbor’s girl around all the goodies of Vermeer and Rembrandt.
This time I made Bettie somehow rectangular, circular and squareish, matching her perfect female forms to simplifyed geometric shapes, not loosing a hint of impressionistic feel of realism.
A commissioned piece I did for someone who loved my roundism style. She likes to do holiday trips with their favorite car, a vintage Porsche Carrera.
As I came across Delft by bike I saw the ‘Nieuwe Kerk’ bathing in sunlight and thought it to be a great opportunity to send it to heaven being a Saturnus rocket standing on a launch platform.
A second commission for the man in the title of the work. This one is done in the style from the (my) past when I liked to combine angular planes and hatched strokes.
Some time ago I saw a cloud that perfectly looked like a baby elephant.
Berlage’s kiosk (at The Hague) – 22-06-17 (sold)
Visit my profile page on these sites
Share this post on these sites
