
Wouter – 08-11-17 (sold)
A commissioned piece done in an impressionistic style with lots of clairobscur. I had to come up with a solution for depicting his pale skin hues and still rendering them too unsaturated.

A commissioned piece done in an impressionistic style with lots of clairobscur. I had to come up with a solution for depicting his pale skin hues and still rendering them too unsaturated.

Some time ago my mother and I visited the Mauritshuis at The Hague, Netherlands, in order to show the neighbor’s girl around all the goodies of Vermeer and Rembrandt.

This time I made Bettie somehow rectangular, circular and squareish, matching her perfect female forms to simplifyed geometric shapes, not loosing a hint of impressionistic feel of realism.

A commissioned piece I did for someone who loved my roundism style. She likes to do holiday trips with their favorite car, a vintage Porsche Carrera.

This graphite pencil drawing ‘Delft – 19-08-17 (Sold)’ is a surrealist one. One time I was finding myself steering my bike to Delft.

A second commission for the man in the title of the work. This one is done in the style from the (my) past when I liked to combine angular planes and hatched strokes.

Some time ago I saw a cloud that perfectly looked like a baby elephant.

Berlage’s kiosk (at The Hague) – 22-06-17 (sold)

In this graphite pencil drawing ‘Roundism (Singularity) – 01-06-17’ I tried to work out my artistic understanding of singularity.

A pastel version of the graphite pencil drawing ‘Roundism – 26-05-17’. I used the primary colours red, yellow and blue to honor ‘De Stijl’, a dutch art movement that celebrates its 100 birthday this year.

During my lessons as a teacher I stell my students there is no end to perfection and one never can tell when a painting or drawing is finished.

I always wanted to do a piece after Rembrandt’s Jeremiah lamenting Jerusalem’s destruction and I could not find a more appropiate subject than the horrific destruction of Aleppo.

These times call for a poet that says it all.

Part of the roundism series, in which I wanted to keep a big part of the body open and indicate and style only a portion of the shades.

I was at ‘Rumour in de Stad’ at the Gemeentemuseum where I saw Breinter, Israëls, among others and this drawing is derived from a photograph Breitner took more than a century ago.

I was invited for a harpsichord concert at the home of one of my students.

Situated at Rotterdam, Delftshaven is the old harbour entree for the city of Delft, at the north of Rotterdam. I wanted to do a drawing full of atmosperic depth but still with a bit of cubist styling in it.

A commission for a classic portrait. The young girl, age 3, has beautiful green eyes (hence the title) and was very animated during the sessions, which is fun to watch but difficult to work with as an artist.

A portrait of my dad in roundistic forms. Always great to turn bushes and trees into round and abstract shapes.

This painting is a culmination of all drawing efforts as to the same model pose.

I change from nudity to landscapes a lot and I find trees equally attractive.

With her slender body Bettie Page always has been a great model to put my project ’roundism’ on wheels. There’s not a single curve in her body that doesn’t makes me go cubistic.

Another project of my roundism series.

An impressionistic view on Leiden, where I studied. I am often fascinated my reflections in water and there are so many canals to be found over there. The movement of the water is what I put as a central theme in this drawing.

Did this one for a Chinese collector who wanted to have a copy the same pastel from 2012 which he acquired as well. The Chinese are into realistic western art nowadays.

A work in which I combined colour saturation with complementary colour schemes.

I took my dear colleague Julia Filament to the Mauritshuis, where I placed her in front of ‘The Girl with the pearl earring’ by Vermeer and rendered her cubistically.

Roundism put into a complementary colour scheme. The hardest thing was to balance it all so the purple wouldn’t overwhealm the yellow.

One from the series ‘sans titre’ depicting moviestars. This one is a tribute to Mary Pickford in some kind of cubistic roundish style.

An experiment in coloration of roundish shapes, rendered with colour pencils only.