Roundism – 07-04-18 (sold)
This drawing concentrates on triangular structures the female body often can show when posing in a slanted position.
Cubism, impressionism and surrealism forged in art creations
Cubism, impressionism and surrealism forged in art creations
This drawing concentrates on triangular structures the female body often can show when posing in a slanted position.
Seeing a photo of 1930s moviestar Myrna Loy reminded me of why I like this kind of photography so much.
Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.
Some time ago I saw two horses when I walked across a small meadow. I was on my way to Museum Singer at Laren, Noord-Holland, Netherlands. It so happened that they were standing close to my favorite tree I painted years ago (Autumn Tree at Laren).
Recently I saw a picture of a model passing by posing a great triangular shape.
Based on a prestudy in pastel (Model – 01-12-18) I made this painting in oil. My objective was to stay in line with the fauvist colour kind of strokes (in case of the pastel they were pretty much ‘broken’ and ‘open’ strokes / patches) but also to get to a more abstract feel by means of rendering the model slighty cubistic.
Of late I use models lubed with a lot of oil, just like this art deco-style photograph, in order to obtain great highlights, lovely midtones and smashing darker tones, all divided by abrupt threashold values.
A new one in the sans titre series depicting Gone with the Wind actress Vivian Leigh. I like her cool looking appearnce hiding a turmoil of complex emotions, wandering from depression, alcoholism to briljant actorship and back, ending in her death by tuberculosis.
The 26th of December 2017 I was attending a concert by the Symfonie Orkest Nijmegen in the Stevenskerk at Nijmegen, Gelderland, Netherlands.
A new graphite pencil drawing in the roundism series in which I experimented with deformations of body shapes with the purpose of keeping the forms as ‘open’ as possible, so all forms can breathe, flowing from one into another.
Yesterday’s session at Rotterdam offered Gabriëlle, the model of that Sunday afternoon. She had great hip bones and was slender, thus showing great angles and triangles with her body.
Working again with my favourite model I took bodyscapes of her and saw limbs running back on the canvas apparently deattached from the body.
A commissioned piece done in an impressionistic style with lots of clairobscur. I had to come up with a solution for depicting his pale skin hues and still rendering them too unsaturated.
Some time ago my mother and I visited the Mauritshuis at The Hague, Netherlands, in order to show the neighbor’s girl around all the goodies of Vermeer and Rembrandt.
This time I made Bettie somehow rectangular, circular and squareish, matching her perfect female forms to simplifyed geometric shapes, not loosing a hint of impressionistic feel of realism.
A commissioned piece I did for someone who loved my roundism style. She likes to do holiday trips with their favorite car, a vintage Porsche Carrera.
As I came across Delft by bike I saw the ‘Nieuwe Kerk’ bathing in sunlight and thought it to be a great opportunity to send it to heaven being a Saturnus rocket standing on a launch platform.
A second commission for the man in the title of the work. This one is done in the style from the (my) past when I liked to combine angular planes and hatched strokes.
Some time ago I saw a cloud that perfectly looked like a baby elephant.
Berlage’s kiosk (at The Hague) – 22-06-17 (sold)
In this drawing I tried to work out my (artistic) understanding of singularity.
A pastel version of the graphite pencil drawing ‘Roundism – 26-05-17’. I used the primary colours red, yellow and blue to honor ‘De Stijl’, a dutch art movement that celebrates its 100 birthday this year.
During my lessons as a teacher I stell my students there is no end to perfection and one never can tell when a painting or drawing is finished.
I always wanted to do a piece after Rembrandt’s Jeremiah lamenting Jerusalem’s destruction and I could not find a more appropiate subject than the horrific destruction of Aleppo.
These times call for a poet that says it all.
Part of the roundism series, in which I wanted to keep a big part of the body open and indicate and style only a portion of the shades.
I was at ‘Rumour in de Stad’ at the Gemeentemuseum where I saw Breinter, Israëls, among others and this drawing is derived from a photograph Breitner took more than a century ago.
I was invited for a harpsichord concert at the home of one of my students.
Situated at Rotterdam, Delftshaven is the old harbour entree for the city of Delft, at the north of Rotterdam. I wanted to do a drawing full of atmosperic depth but still with a bit of cubist styling in it.
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