Golden Purple – 25-02-21
This pastel drawing ‘Golden Purple – 25-02-21’ is based on a previous graphite pencil drawing ‘Roundism – 14-09-19’. The latter I always liked because of its abstract quality.
This pastel drawing ‘Golden Purple – 25-02-21’ is based on a previous graphite pencil drawing ‘Roundism – 14-09-19’. The latter I always liked because of its abstract quality.
This pastel Golden Cubism – 21-02-21 is the first real cubist drawing in my Golden series. After my last pastel drawing Lakshmi – 16-02-21 I realized I only made pastels in my Roundism style. The last one in that style was ‘Golden Lilac – 07-02-21’. What if I would return to the initial form of cubism I employed back in 2014.
At last: I discovered my regular model is Lakshmi, goddess of wealth, fortune, love, beauty, joy and prosperity.
This pastel drawing ‘Free Floating Blue Wave Nude – 10-02-21’ is based on a previous graphite pencil drawing ‘Roundism – 19-07-16’. In my art statement to that drawing I already explained my motives to render the floating female figure in my roundism style.
This pastel drawing Golden Lilac – 07-02-21 is based on a previous graphite pencil drawing ‘Nude – 13-01-16’. Once in a while I realize I draw in graphite more often than in pastel or oil.
This pastel is in line with my previous pastel drawing ‘Golden – 28-01-21’ but that one looks rather monochrome. Time it was to add some more colors and define relations between them. After all, that is what color is all about.
After my previous pastel drawing I decided to do a totally different one. Not in hatched strokes but smoothed out I had in mind.
This nude pastel drawing in the Golden series resembles a previous pastel ‘Nude – 02-02-19’ a bit. However, I put the stress on skin hues in order to stay in line with the purpose of the series.
After my sketch of Louise Brooks – 10-10-20 I wanted to do more in my hatched strokes style. Yesterday’s model session offered me the opportunity again to draw with a live model in front of my eyes.
In 2013 I started this clairobscur lit nude and tucked it in one of pastel maps, only to forget about it for years and years.
This pastel drawing ‘Sea Swimming – 30-07-20’ is an experiment on a new kind of paper. The pastel particles stick to the paper beautifully.
A commissioned piece. I never did a cottage, Usually it is either trees or women. It is often with commissions like these that I come to study things and structures I normally do not draw or paint.
Estate ‘Voorlinden’ at Wassenaar, Zuid-Holland, Netherlands has become my favourite park because it holds everything dear to me: a classic mansion from the 1920s, a museum of modern art with an interesting collection and last but not least a park surrounding the main buildings of equisite quality.
This one is special. Long since they passed away only know to reappear in pastel. This one represents my uncle Ben taking care of his son Matthijs some 30 years ago.
Last day of the year and completed a work in progress I started during a live session with my regular model. With just two simple LED reading lamps I got the atmosphere right
Last Thursday 21th of November I had my regular model over again in my studio and it was a good session. I placed two led light sources next to her, creating a nice razor light over her body.
Saturday 16th Novembern2019 I had Julia Gómes Avilés over as a model again. I wanted to express her dancing skills by a dynamic pose in which she holds her foot and combine it with her bodily features running off paper like natural waves.
A commissionary piece. The girl has natural blonde hair, alabaster skin and blue eyes. It goes without saying that it was senseless to put her in full daylight. I let her sit for me ‘contrejour’ so the light from behind would be shattered through her blonde hair like through a prisma.
Model sketching time again. My mind was occupied with many other projects but live model sketching always has priority. Whereas skecthing often is called the primary process, live model sketching I consider to be primus inter pares.
A quick sketch in pastel and charcoal after I completed my graphite pencil drawing ‘Wijk bij Duurstede – 20-05-19’ this evening.
Before last Tuesday’s model session I thought of a great pose I instructed to my model.
Last session with my model I wanted to have her pose a little bit more risqué but counterbalance it by keeping the hatched strokes rather rough than to finepolish them into tonal matching strokes that would approach realism too much.
The object was to do a pastel drawing similar to ‘model session – 17-01-19’ but to keep the hatched strokes rather wide. I also wanted to combine more complementary colour combinations in order to get a greyish look while on the other hand those hatched strokes look very saturated up close.
Last Thursday it was time for my regular model to sit for me in my studio. I keep a clean blanket for her she can sit on.
This evening I had a great session with my main model throughout the years. She is slender, knows what I want and shows dark skin tones, giving my the possibility to fool around with all sorts of colours.
A classic model study I did yesterday at Leidschendam, Netherlands.
A pastel of a treescape at Royal estate ‘De Horsten’ at Wassenaar, Netherlands. This one I did last Saturday for a group of pastel students and limited myself to appromixately 2 hours, synchronizing to the time span of the pastel workshop, in order for them to relate to a quick build-up without throwing too much details like leaves and branches.
Based on my previous graphite drawing ‘Roundism – 11-01-18’ I made this one in pastel, allowing me to study the female body covered in oil.
I was intrigued by the compact forms of the model’s body and especially by the curve of her tibia tot he instep of her foot.