Fox the Fox – 04-05-22
Fox the Fox -04-05-22 is an elaboration of a graphite pencil drawing Nude – 04-10-15 I made years ago.
Fox the Fox -04-05-22 is an elaboration of a graphite pencil drawing Nude – 04-10-15 I made years ago.
My graphite pencil drawing Wag the Dog – 26-09-21 was waiting on the shelf to be put into oil. After my last oil Slava Ukraini – 18-04-22 I thought I’d use another surrealist theme and why not?
This oil ‘The Meeting’ has a long story. Ages ago, before my cubist and roundistic revolution, I was more into landscapes and surrealism.
This graphite pencil drawing ‘Hold Your Horses – 04-01-22’ was a done deal in my head already during the live session.
Time for a tribute to Lourens Alma Tadema and why not? Vermeer, Rembrandt, Van Gogh, Mondriaan and De Kooning are house hold names.
It is time for the elevation of Julia Filament. Sunday 7th November I finally met her again and we went to the Singer Laren Museum. She is a fine artist, graphic designer and great model.
Sunday last October 17th my parents and I visised the once-in-a-lifetime exhibition of Albrecht Dürer art works and contemporaries. Crime scene: Suermondt-Ludwig Museum at Aachen, Germany.
Wag the dog was the first title that came to mind when I saw this beautiful photo. It stems from the 1930s I think.
Sheep have more fun or do they? It so happened that my dear friend, poet and photographer Alexis de Roode went for a little stroll in nature.
Mother Nature holds many secrets but let me sketch you the following. All of a sudden you spot a naked woman on her own in the middle of a forest. Would you be attracted to her or would you run away screaming?
How can The Blues Brothers turn into The Proud Brothers? That is simple enough. Take a big country and turn it into a madhouse.
In all of us there is a monkey tucked deep inside. How about your monkey business?
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A couple of years ago I came across a nude photo of Frida Kahlo. I guess she did a lot of experimenting in the roaring 1920s / 1930s. I was intrigued by her body position: reclining and amidst two cats, completely demanding the camera in a relaxed way though.
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.
My model came with this pose Modonna used for one of her albums. Originally it was intented to do square sized pastels because I happen to have 4 spare square frames but today I saw a greater scheme I had to work out first.
This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.
The slanted position of the body inspired me to sketch some waves around it. I kept the focus on the body while tuning down the values in the waves a little bit.
This drawing is to celebrate human achievements and imagination in particular. To see one thing in another is something very real, surreal and metaphysical altogether.
Last year I was walking through sunny Voorschoten, a town in the north to where I live.
This drawing is to celebrate the holy bond between the artist and his model.
After my last drawing ’11 bestialities – 09-02-19’ I got the hang of it and decided to do once more.
One thing in another. I try to see it all the time. Sometimes I fail, another time I see more clearly.
This drawing is all about the aquatic qualities of the body of a woman.
In the dead of summer it is so hot here in The Hague I had double vision.
At the time of completing this drawing The Sigg collection is on display at the Noord-Brabants Musem at ’s-Hertogenbosch, Netherlands.
I always love this jazz song and when listening to jazz doing my nudes in my apartment I made the connection all of a sudden, as I often do between visual art and music.
Last Sunday I had another photo shoot and drawing session with my favorite odel and after I saw back the photos there was only one plausible conclusion: There comes a time when you look at a naked woman and discover new things.
This is the painting based on a previous drawing ‘Sans titre – 25-10-16’ depicting Mary Pickford, one of the first female leading ladies in movie history.