
Model Session with Julia – 31-12-21
Last night I had a model session with Julia. Sometimes you come across a woman you immediately fall in love with.

Last night I had a model session with Julia. Sometimes you come across a woman you immediately fall in love with.

Time for a tribute to Lourens Alma Tadema and why not? Vermeer, Rembrandt, Van Gogh, Mondriaan and De Kooning are house hold names.

This reclining nude is completed two days after the last model session I held at my studio. Being the first drawing I completed after July’s session means last month’s drawing has not been completed yet. This one was relatively easy though.

After my last drawing of Geesje Kwak I did not have many new ideas. Then I remembered I had a photo of a seated female nude by Eugène Durieu.

At the Binckhorst I met a model who posed nude for me and a student of mine. The live model sketch was in pastel and in fact I got the taste to do some more.

Together with a student I had a lovely model session at the Binckhorst in The Hague. She invited me to come to her studio because she had a friend who wanted to sit for us. Actually the same sofa was used as for the previous model session.

Of late I am exploring textures of fabrics like satin, silk and all other shining objects such as gold and silver. Two months ago I made the first one, depicting Geesje Kwak.

A cat comes in handy when you are out of options and do not want to simply draw a pretty picture of a beautiful woman.

After my sketch of Louise Brooks – 10-10-20 I wanted to do more in my hatched strokes style. Yesterday’s model session offered me the opportunity again to draw with a live model in front of my eyes.

In 2013 I started this clairobscur lit nude and tucked it in one of pastel maps, only to forget about it for years and years.

After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.

This graphite pencil drawing ‘Roundism – 19-08-20’ is walk down the path of Man Ray’s solarization and combination with cubism.

This pastel drawing ‘Sea Swimming – 30-07-20’ is an experiment on a new kind of paper. The pastel particles stick to the paper beautifully.

These Corona days show little or no model sessions at all. However my model and I felt confident to do a new session after a long time, taking all precautions.

Last day of the year and completed a work in progress I started during a live session with my regular model. With just two simple LED reading lamps I got the atmosphere right

My regular model comes to visit me every month and this time I had the plan to put only two small LED light sources around her.

Last Thursday 21th of November I had my regular model over again in my studio and it was a good session. I placed two led light sources next to her, creating a nice razor light over her body.

Model sketching time again. My mind was occupied with many other projects but live model sketching always has priority. Whereas skecthing often is called the primary process, live model sketching I consider to be primus inter pares.

Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.

This graphite pencil drawing ‘The Artist and His Model – 22-02-19’ celebrates the holy bond between the artist and his model. Together we create magic!

Last session with my model I wanted to have her pose a little bit more risqué but counterbalance it by keeping the hatched strokes rather rough than to finepolish them into tonal matching strokes that would approach realism too much.

The object was to do a pastel drawing similar to ‘model session – 17-01-19’ but to keep the hatched strokes rather wide. I also wanted to combine more complementary colour combinations in order to get a greyish look while on the other hand those hatched strokes look very saturated up close.

This pastel drawing ‘Model Session – 17-01-19’ I began last Thursday. My model beautifully arranged in an Andrew Cross composition together with the folds.

This evening I had a great session with my main model throughout the years. She is slender, knows what I want and shows dark skin tones, giving my the possibility to fool around with all sorts of colours.

The third drawing of Julia Gómez Avilés rendered with colour pencils. Last week I bought a great collection of Prismacolour pencils that brought me great joy using them


A classic model study I did yesterday at Leidschendam, Netherlands.

Some months ago I started attending some drawing sessions at Rotterdam where I did short positions again.

Yesterday’s session at Rotterdam offered Gabriëlle, the model of that Sunday afternoon. She had great hip bones and was slender, thus showing great angles and triangles with her body.

Short positions at live model sketching took me back to reinvent my way rendering human bodies and together with my new found Pastelmat by Clairefontaine I was able to experiment with new ways.