Oil Paintings

Kali – 23-03-22

Enter Kali The Destroyer. This oil is an elaboration of an earlier graphite pencil drawing ‘Roundism – 26-04-16 (sold)’.

Vesna – 14-03-22

Another Risque painting depicting my muse Julia Filament. Two oil paintings earlier I already did an Ukrainian theme but why not use it once again.

A new oil painting based on my graphite pencil drawing ‘Solarized Geometry -26-11 21’. After the previous one ‘Rusalka, Free Floating in Russian Waters – 28-02-22’ I was in for something new. In fact, I always am and that mindset prevents me from repeating the same old same.

Rusalka, Free Floating in Ukrainian Waters – 28-02-22

This oil painting I would like to call ‘Rusalka’ in honor of the latest developments in Ukraine. It is an elaboration of my pastel drawing ‘Free Floating Blue Wave Nude – 10-02-21’.

Risque – 22-02-22

This Risque oil looks like a wild Liberace. Or could it be that I was inspired by the song ‘Digital Love’? Often I get these almost synaesthetic feelings whilst listening to music.

Risque – 17-02-22

A new Risque oil painting in the Series by same name. After my last one I wanted to wander in a straight linear landscape again. The motif for this one was based on my colored pencil drawing ‘Risque – 01-22’.

The Meeting -15-02-22

This oil ‘The Meeting’ has a long story. Ages ago, before my cubist and roundistic revolution, I was more into landscapes and surrealism.

Roundism – 10-02-22

This roundism oil painting is quite different from the last roundistic one, called ‘Singularity – 23-12-21’. Whereas the latter was all about the use of shiny colors, the experiment at hand has another color range.

Singularity – 23-12-21

After my initial graphite pencil drawing ‘Roundism (Singularity) – 01-06-17’ I also made a pastel Roundism (Singularity) – 05-06-17. Basically it combines a formalistic point of view on artistic nudity with a deeper meaning or narrative. The latter is about the principles of singularity.

Risque – 13-12-21

Risque is the title of a new oil, in fact a new series. I felt this one was urgent and below I explain why. The lovely means by making my visual point is the depiction of model Julia Gómez Avilés. It was wonderful to work with her again

Geesje Kwak (2021)

After the success of my initial drawing I decided to dissect Geesje Kwak geometrically even further. Surely it is an ode to abstraction in Japanese art in the first place.

Mother Nature – 22-01-21

Mother Nature holds many secrets but let me sketch you the following. All of a sudden you spot a naked woman on her own in the middle of a forest. Would you be attracted to her or would you run away screaming?

cubist expressionistic nude oil painting

Cubist Expressionism – 08-09-20

After careful considering I chose for a rendering with hatched strokes like I am used to in doing pastels and many a drawing, even though this is the first time in oil.

Frida Kahlo (2020)

A couple of years ago I came across a nude photo of Frida Kahlo. I guess she did a lot of experimenting in the roaring 1920s / 1930s. I was intrigued by her body position: reclining and amidst two cats, completely demanding the camera in a relaxed way though.

The Restoration of Bettie Page – 01-04-20

In November 2018 I started this project after a prestudy in graphite ‘An archeological memory of Bettie Page – 13-11-18’. Since the canvas size of this painting is bigger than the original drawing the balance between main theme (camel, statue and stele) and the negative space around it should show more coherence.

cubistic nude oil painting in the roundism style

The Implicite Order – 11-03-20

A continuation of the previous painting called ‘The Implicite Order – 20-02-20’, commissioned by an American collector.

Una in aliam – 01-09-19

This oil painting is based on my drawing ‘Nude – 17-06-15’. An artist often sees one thing in another. Salvador Dali saw a rhinoceros in Vermeer’s Lacemaker. I saw a horse in a women’s thigh.

The widow of Aleppo (2019)

Drawng often is called the primary process and I like it so much, brimming over with an ocean of ideas, that I forget about transfering those ideas to the secondary stage: the canvas. There always is something to dust off and in 2017 I used ‘Nude – 03-09-15’ to work out a bigger theme, called ‘The Widow of Aleppo – 18-05-17’, after Rembrandt’s painting Jeremiah lamenting Jerusalem’s destruction. Since the war in Syria sort of came to an end but the people still suffer, I found it appropiate to do this anew but then in oil.

The brown eyed girl (2018) (sold)

The brown eyed girl (2018) (sold) A commission for a classic portrait. I focused on

The Revelation of Bettie Page (2018)

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Roundism – 12-05-18

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Roundism – 13-03-18 (sold)

Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.

Roundism – 20-02-18

This oil painting is the final piece on the series of the pastel and graphite pencil drawing on the same theme. I decided to abstract the female figure even more, reducing the oily reflections on her body to cubist planes, creating rhythym and diction of light and dark tones.

Roundism – 11-02-18

Based on two previous artworks: a pastel called ‘Into the light – 15-06-17’ (impressionistic, surrealsitic) and a graphite pencil drawing ‘Roundism – 04-07-17’. I liked both works and took the colour scheme of the pastel drawing in reds and greens but also used the roundism style of the pencil drawing and combine them.

Roundism – 02-02-18 (sold)

Based on a prestudy in pastel (Model – 01-12-18) I made this painting in oil. My objective was to stay in line with the fauvist colour kind of strokes (in case of the pastel they were pretty much ‘broken’ and ‘open’ strokes / patches) but also to get to a more abstract feel by means of rendering the model slighty cubistic.