Schiedam – 09-10-20 (sold)
In 2018 I was visiting the Stedelijk Museum Schiedam with my parents to see the exhibition of art works by Jan Henderikse, a representative of the Dutch Zero group.
In 2018 I was visiting the Stedelijk Museum Schiedam with my parents to see the exhibition of art works by Jan Henderikse, a representative of the Dutch Zero group.
Beek-Ubbergen again and 50 shades of pink in honour of the fact that colour is highly underestimated in landscapes and outdoors in general.
Beek-Ubbergen
Just outside Nijmegen towards the German border there are two places of beauty called the Ooij Polder and the start of the ‘Nijmeegse Heuvelrug’, part of the Lower Rhine Heights.
And now for something completely different: cows in Marlot. I wanted to change the subject for once and do a drawing similar to the horses in my drawing Laren 30-04-20.
After an odd month doing other project it was time to do one in my roundisym style again.
The shortest way to my studio where I teach is via the Prins Bernhardlaan in Voorburg, Netherlands but once in a while I take a slight detour through the Notenboompark.
My last drawing was slightly cubistic but today I did this realistic one, that I would like to name ‘Golden Reality’.
After my previous colored pencil drawing ‘Golden Brown – 24-08-20’ I wanted to explore the Talens Toned Color Paper futher and see what the motif of a white female model could offer me on dark blue paper.
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In all of us there is a monkey tucked deep inside. How about your monkey business?
My model and I were looking for intesting poses and on the bedside there it was: a beautiful one with some interesting lighting. Sometimes extreme light like in this particular case can offer a new insight in compositionary possibilities.
The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel sticks. I also happened to find an old pastel stick (gold, Cretacolor 48254) that I did not use yet.
After my drawing ‘Roundism – 19-08-20’ I put it as my goal to do another solarized one but a little bit less and more abstract.
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In this one I started hatching up the paper with diagonal strokes like always when the motif is very dark. I did not wanted to rub them out like I am use to but quite like the hatched impression and it reminded me to the beginning of my cubist works like in ‘Round Cubism – 14-08-14’.
Sometimes the body position defines the style of rendering. That is why this drawing came with triangles and diagonals because of the model’s triangular position.
After a series and a couple of commissions it was time to do another in my Roundism series. There are many positions a model can show but I particularly like this one with the slanted position of the legs.
As you may know I often wander about and astray through landscapes I have never been before or in this particular case I know all too well. Batenburg is not far away from Nijmegen, where I was born and raised and upon my word it is a quite pittoresque village along the river Maas.
Not often is it that I depict animals with children but this one is a beautiful exception
Being a deep sea fish a coelacanth hardly ever come face to face with a white shark way up high but sometimes it does. If so, what would you expect to happen.
This one is a variation on a previous drawing ‘The Venus of The Hague – 29-05-20’ but then constructed out of basic geometric forms only: the circle, cube and triangle.
Animals kept crawling in so it was inevitable to incorporate them into these series. The first one I saw was a lioness in her thight and second the hares in her buttocs.
Next move on my Venus trail. I decided to do another surrealist one or is it? I put in some of my earlier themes like ‘singarity’, ‘the golden ratio’ and combine them with ‘the collapse of the wave function’.
A version in straight lines, quite angular was bound to appear in my mind after the (sur)realistic one. So there you have it.
Today’s my birthday and I thought I’d offer you something different: a special treat.
This one is one step further abstracted than my previous drawing ‘The Venus of The Hague – 26-05-20’.
Based on my previous drawing ‘The Venus of The Hague – 23-05-20’, preceded by version ’18-05-20’, I turned up the abstraction one gear further.
Based on my previous drawing ‘The Venus of The Hague – 18-05-20’ I went further in abstracting body shapes after my roundism style but still referring to the play of light and dark in the original.
Last session with my model was fruitful and I had a mirror in mind like I used in my drawing ‘In hoc signo – 14-10-19’. I was satisfied with the result then and I sold it very quicky. Time to emulate it.
These Corona days I wander about the region like I am used to. Nothing changed in this respect and I am more than happy that we in The Netherlands have at least some freedom of movement and that the end of our ‘intelligent lock down’ is in sight