
The Venus of The Hague – 18-05-20 (sold)
This graphite pencil drawing ‘The Venus of The Hague – 18-05-20 (Sold)’ takes me back to model sketching. A bit of impressionism in hatched strokes.
This graphite pencil drawing ‘The Venus of The Hague – 18-05-20 (Sold)’ takes me back to model sketching. A bit of impressionism in hatched strokes.
This graphite pencil drawing ‘Estate ‘Reigersbergen’ – 16-05-20’ is a bit of impression, executed in my hatched strokes style.
These Corona days show little or no model sessions at all. However my model and I felt confident to do a new session after a long time, taking all precautions.
The next drawing in my solarized roundism series. It forms a transition from my previous abstracted cubist geometry towards a crossover to realism and surrealism. Like in previous ones I inverted some of the tonal values whereas in other parts they are kept realistic.
Sometimes cementeries can be fun, especially when they are old and situated near old churches and trees in the midst of Beek, Gelderland, Netherlands.
This graphite pencil drawing ‘Clara – 25-04-20’ is a bit of solarisation. Beautiful Instagram model Clara was the inspirational source.
This graphite pencil drawing ‘Marlot – 11-04-20’ marks the beginning of Spring. Trees unfolding their leaves and water reflections in an impressionist style.
This graphite pencil drawing ‘Bergen – 10-04-20 is a bit of impressionism. I was struck by the diagonal light beams creating beautiful shadows.
On my extensive trips I sometimes come across specific spots of beauty and in this case not accidentally. I saw a great mansion ‘for sale’ at the Valkenlaagte and I am sure I cannot buy it on short notice.
The second one of Oosterbeek this week and I chose a specific spot in the park where there is a bend in brook running through it.
Oosterbeek – 07-04-20
I always find it difficult to draw an impressionistic blossom tree without falling back to depict branches and the blossom in a rather symbolic or linear way.
A rather quick sketch of the manor ‘Voorlinden’ at Wassenaar, Netherlands, in which I skipped the hatched strokes and concentrated on the roundish shapes in the trees.
In these exceptional days of viral mayhem no one expected at the beginning of this year all of a sudden a first beautiful warm day in Spring arrived in The Netherlands.
This is my third solarized drawing I did since a long time and represents my regular model I know for years.
In my last drawing ‘Roundism – 29-03-20’ I employed the technique of solarisation again. It turned out to be a rather realistic one and so I decided to do another one more abstract.
These times I miss my model and look forward to have her over to sit for me again
This graphite pencil drawing ‘Veere – 26-03-20’ is made after a trip to a city I never visited before. Done in my Roundism style with a touch of impressionism.
These unusual times cause people to search for new ways to keep their minds busy. Some told me they binge watch or take virtual tours online, others turn to books still waiting for them. As an artist I just turn to what I do best for all these years: drawing and painting.
A unique situation: everybody all around the world at home and as to me: I got nothing to do except for painting and sketching but hey that is what we artists do all the time.
Since Corona has brought a new reality and forces so many countries to lock down, there is nothing much left for me but to teach some of the students that have the guts to show up and in the evenings I spend my time drawing and painting. But hey, the life of an artist always looks that way.
This graphite pencil drawing ‘Roundism – 10-03-20’ takes me back tot he 1920s. It matches my personal Roundism style very well.
This drawing came into existence very intuitively. I concluded some major projects and I always have a drawing in progress, drawing waiting for my students in Voorburg.
This day I got warned by a Reddit group moderator to tag my art work as ‘NSFW’ (Not Safe For Work). That almost exclusively means ‘including nude’: as if one should look at social media or nudity when working at all! Who gets this idea?
And so it came to be, that I was attending to a wine tasting, organized by Jan-Wieger Eikema of the Bourgognespecialist (Burgundy specialist).
My painting ‘The Restoration of Bettie Page’ heads for its final stage of completion. It just feels right to announce the birth of this painting by someone special and who else could do that better than High Priestess herself: Julia Filament?
A second prestudy for a commissioned piece, combining
symbolic shapes with my personal roundism style.
Of late I was busy painting ‘The Restoration of Bettie Page’ and since a month or so drawings do not sprout from my pencil that often. But sometimes you have to let the painting be for a day and return to drawing process.
December 25th for many people is a holiday. As to me, I just keep on drawing and this one I made this afternoon at my parent’s home. Just a quick intermezzo between painting sessions.
My regular model comes to visit me every month and this time I had the plan to put only two small LED light sources around her.
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.