Last year I was at Oudaen, a city castle at Utrecht, Netherlands which now is a crowdy hotspot for party people. I was dining near the window in the corner with hundreds of people around me but a single cat was lying quietly by the window.
This graphite pencil drawing ‘Roundism – 19-11-18’ is something new. I was in for a bit of fun. Perhaps caused by my previous one ‘An Archeological memory of Bettie Page – 13-11-18’.
The reference picture I used was slightly different from the one I used for ‘The revelation of Bettie Page (2018)’.
I found this picture of Jenna J. Ross on Instagram and I liked it a lot.
This drawing is all about the aquatic qualities of the body of a woman.
When I was looking at the reference picture of Angie Dickinson my colleague at Studio Brugman, Gilbert said her face looked almost chiseled like a statue.
Last week I went to visit Museum Kranenburgh at Bergen, Noord-Holland, Netherlands.
I was going to name this drawing ‘Heavenly Body – 17-10-18’, ‘Across the Universe’ after the Beatles song
I am not sure what I thought about her, except for her strong personality. I sometimes liked her paintings and then I didn’t. What I have in common with her is that we both are autodidacts and that we like(d) to go our own way in life. Somehow I always come across her once in a while and that is why I decided to draw her. I saw a lovely – rare – nude photograph and thought I’d include her in my sans titre / roundism series.
I just loved to break up a female’s body into vortices of vibrant colours one time and so this is the smashing result.
This is the fourth drawing of model Julia Gómez Alivés in which I combined my roundism with colors.
In this drawing I tried to capture the edgy character of U.S. actress Talullah Bankhead and still bring softness to her face.
The Nieuwe Veenmolen, dating back from 1652, is situated nearby to where I live.
The third drawing of Julia Gómez Avilés rendered with colour pencils. Last week I bought a great collection of Prismacolour pencils that brought me great joy using them
Once I was at the roof top of a friend of mine who held an exhibition in her home at Leischendam, looking over ‘De Sluisjes’ (the locks) in the centre.
I was walking on a Sunday afternoon, the last very hot one of this summer and the central square was deserted. No one was there because of the dying heat and I saw naked women dancing on it.
Last week I was walking in the direction of Museum Gouda to visit the exhibition ‘From Gauguin to Toorop’ when I saw this canal adjacent to the museum, opposite to the old church of Gouda.
Creation is a transformational process. I am fascinated by the thought I evoke chaos turning my graphite pencil fillings into dust and my pencil eraser into crumbles, but at the same time creating something new.
I was captured by the high lights at the top and the bottom and decided to keep the planes straight, putting the stress on the rough edged character of the figure.
In the dead of summer it is so hot here in The Hague I had double vision.
Another session with my model and I used an unusual point of view: above her and it took the challenge to capture the foreshortened shapes of her body.
I always tell my students that art is about seeing one thing in another, just like tasting wine and describing it by comparing to something completely different than wine itself, like chocolate, red fruit, etc.
I was very happy with the result of my latest session with my favorite model. She showed great triangular structures and edges.
When I was visiting the Bastei, a new museum at the base of the Valkhof at Nijmegen, Gelderland, Netherlands, my eye caught the Sint-Nicolaaskapel or better known as ‘The Carolingian Chapel’.
When I ride my bike through The Hague Forest (Haagse Bos) just around the corner I see only beauty.
I always liked Diana Ross (except for that ghaslty song ‘My Old Piano’) and when I saw a video recently I was intrigued by this shiny 80-dress oozing out glitter and glamour.
I was attracted by the musculature of the model’s back and wanted also to map this even more by emphasizing the oblique position of the torso by means of a number of strategically placed diagonals over the entire image plane.
