The Corona virus roams around Planet Earth and holds everyone tightly in its grip. Everybody stays put and I almost feel suffering from a locked-in syndrom, with no particular place to go and the only expression I can make is through the tip of my pencil and teaching the students that will come.
This drawing came into existence very intuitively. I concluded some major projects and I always have a drawing in progress, drawing waiting for my students in Voorburg.
This day I got warned by a Reddit group moderator to tag my art work as ‘NSFW’ (Not Safe For Work). That almost exclusively means ‘including nude’: as if one should look at social media or nudity when working at all! Who gets this idea?
And so it came to be, that I was attending to a wine tasting, organized by Jan-Wieger Eikema of the Bourgognespecialist (Burgundy specialist).
My painting ‘The Restoration of Bettie Page’ heads for its final stage of completion. It just feels right to announce the birth of this painting by someone special and who else could do that better than High Priestess herself: Julia Filament?
A second prestudy for a commissioned piece, combining
symbolic shapes with my personal roundism style.
Of late I was busy painting ‘The Restoration of Bettie Page’ and since a month or so drawings do not sprout from my pencil that often. But sometimes you have to let the painting be for a day and return to drawing process.
December 25th for many people is a holiday. As to me, I just keep on drawing and this one I made this afternoon at my parent’s home. Just a quick intermezzo between painting sessions.
My regular model comes to visit me every month and this time I had the plan to put only two small LED light sources around her.
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
Sometimes I find a model so perfectly shaped in round forms that the only way to add value is by means of recreating her through squares and straight lines.
Through my last drawing ‘Roundism – 19-10-19’ I got inspired to delve into the contrast of realism versus roundism again.
It was time to return to my roundism style and the position of this one inspired to me show the flow her hips suggest.
I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.
It is World Animal Day and I miss my cat Furia. She sat for me as a model a couple of times and I thought I’d honour her today.
Every woman lneeds a celebration, especially when one sees a particular beautiful one like Bente.
No doubt about it: cats are portals to the other side and through the vortices of their curly tails we are directly drawn into it.
My model came with this pose Modonna used for one of her albums. Originally it was intented to do square sized pastels because I happen to have 4 spare square frames but today I saw a greater scheme I had to work out first.
Man Ray’s solarization was on my mind when I made this one. Mondriaan also was because he strived for an ideal division of planes in a certain space.
I saw this great vintage picture of a nude on the roof top of an open van and I liked the styled planes it already showed: the squares in the open door, some round ones in the model and some great diagonals. The woman has great nipples and I guess I will not post this one on some of the social media.
I found a great vintage photo online that inspired me to put this female body on paper using triangles and round shapes, strengthening the pyramid like pose.
Another drawing of a chiaroscuro forest lane at Park Sonnenburgh in Voorburg, Netherlands, conveniently lingering about around the corner of where I work.
Last weekend I visited De Lakenhal at Leiden, Netherlands to see the exhibition ‘Rembrandt and the Golden Age’.
This drawing depicts Lily Elsie, Edwardian actress and singer. I liked the hair volume, its curls and planes.
Last year I used dancer Julia Gómez Avilés as a model. Next to being a wonderful person for an artist she is ideal because of her flexibility.
In the dead of summer means I am in the midst of the outdoor sketching season. Although I did not complete this one on the spot the invention of the basic composition and planal distribution were done at Katendrecht, Rotterdam.
After teaching today I went to Park Sonnenburgh in Voorburg, Netherlands around the corner.
Today I was out on a trip to Beek-Ubbergen with my parents. We returned to the place where I sketched two previous drawings. This time I drew the whole thing at the very spot, opposite to the Duivelsberg (Mount Devil).
On my way to my students in Voorburg I come across Park ‘t Loo that had a reshape last year.
When I returned to my car from my little trip to Kethel, Schiedam, Netherlands, I saw this beautiful tree in bloom. Sometimes you look for grand things and the little all of a sudden pop into your eyes when least expected.
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