Oosterbeek – 08-04-20
The second one of Oosterbeek this week and I chose a specific spot in the park where there is a bend in brook running through it.
The second one of Oosterbeek this week and I chose a specific spot in the park where there is a bend in brook running through it.
Oosterbeek – 07-04-20
I always find it difficult to draw an impressionistic blossom tree without falling back to depict branches and the blossom in a rather symbolic or linear way.
A rather quick sketch of the manor ‘Voorlinden’ at Wassenaar, Netherlands, in which I skipped the hatched strokes and concentrated on the roundish shapes in the trees.
In these exceptional days of viral mayhem no one expected at the beginning of this year all of a sudden a first beautiful warm day in Spring arrived in The Netherlands.
This is my third solarized drawing I did since a long time and represents my regular model I know for years.
In my last drawing ‘Roundism – 29-03-20’ I employed the technique of solarisation again. It turned out to be a rather realistic one and so I decided to do another one more abstract.
These times I miss my model and look forward to have her over to sit for me again
After my walkabout through Veere I got back to the parking lot when I saw mill ‘De Koe’ just outside the historical centre. My mind was not fixed on any style but Leo Gestel’s depiction of olive groves at Mallorca weakly lingered at the back of my head.
These unusual times cause people to search for new ways to keep their minds busy. Some told me they binge watch or take virtual tours online, others turn to books still waiting for them. As an artist I just turn to what I do best for all these years: drawing and painting.
A unique situation: everybody all around the world at home and as to me: I got nothing to do except for painting and sketching but hey that is what we artists do all the time.
Since Corona has brought a new reality and forces so many countries to lock down, there is nothing much left for me but to teach some of the students that have the guts to show up and in the evenings I spend my time drawing and painting. But hey, the life of an artist always looks that way.
The Corona virus roams around Planet Earth and holds everyone tightly in its grip. Everybody stays put and I almost feel suffering from a locked-in syndrom, with no particular place to go and the only expression I can make is through the tip of my pencil and teaching the students that will come.
This drawing came into existence very intuitively. I concluded some major projects and I always have a drawing in progress, drawing waiting for my students in Voorburg.
This day I got warned by a Reddit group moderator to tag my art work as ‘NSFW’ (Not Safe For Work). That almost exclusively means ‘including nude’: as if one should look at social media or nudity when working at all! Who gets this idea?
And so it came to be, that I was attending to a wine tasting, organized by Jan-Wieger Eikema of the Bourgognespecialist (Burgundy specialist).
My painting ‘The Restoration of Bettie Page’ heads for its final stage of completion. It just feels right to announce the birth of this painting by someone special and who else could do that better than High Priestess herself: Julia Filament?
A second prestudy for a commissioned piece, combining
symbolic shapes with my personal roundism style.
Of late I was busy painting ‘The Restoration of Bettie Page’ and since a month or so drawings do not sprout from my pencil that often. But sometimes you have to let the painting be for a day and return to drawing process.
December 25th for many people is a holiday. As to me, I just keep on drawing and this one I made this afternoon at my parent’s home. Just a quick intermezzo between painting sessions.
My regular model comes to visit me every month and this time I had the plan to put only two small LED light sources around her.
It so happened that I was instructing a knight on horseback to prance in front of me so I could do a live painting on him, then all of a sudden this beautiful maiden was ruling us both.
Sometimes I find a model so perfectly shaped in round forms that the only way to add value is by means of recreating her through squares and straight lines.
Through my last drawing ‘Roundism – 19-10-19’ I got inspired to delve into the contrast of realism versus roundism again.
It was time to return to my roundism style and the position of this one inspired to me show the flow her hips suggest.
I am always looking for inconventional vantage points as to looking at a model and this position seemed both sensual and integrous as implicitely explicit.
It is World Animal Day and I miss my cat Furia. She sat for me as a model a couple of times and I thought I’d honour her today.
Every woman lneeds a celebration, especially when one sees a particular beautiful one like Bente.
No doubt about it: cats are portals to the other side and through the vortices of their curly tails we are directly drawn into it.
My model came with this pose Modonna used for one of her albums. Originally it was intented to do square sized pastels because I happen to have 4 spare square frames but today I saw a greater scheme I had to work out first.
Man Ray’s solarization was on my mind when I made this one. Mondriaan also was because he strived for an ideal division of planes in a certain space.
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