
Risque – 31-01-22
Another variation in the Risque Series. After my last graphite pencil drawing ‘Risque – 22-01-22’ I was searching for something new.
Another variation in the Risque Series. After my last graphite pencil drawing ‘Risque – 22-01-22’ I was searching for something new.
This graphite pencil drawing ‘Family – 25-01-22 (sold)’ is a commissioned piece, just as the last commission ‘Opa – 14-04-21 (sold)’.
The next one in the Risque series. After my previous colored pencil drawing ‘Risque – 18-01-22’ I wanted to experiment with angular structures again.
A new drawing in the Risque Series. This time executed with colored pencils. It turned out to become quite different from the previous graphite pencil drawing ‘Risque – 11-01-22’.
This graphite pencil drawing ‘Risque – 11-01-22’ is the third one of Julia Filament after the session of last 30th December. As previously said I found it to be an exciting session during which she took many great poses.
This graphite pencil drawing ‘Hold Your Horses – 04-01-22’ was a done deal in my head already during the live session.
Time for a tribute to Lourens Alma Tadema and why not? Vermeer, Rembrandt, Van Gogh, Mondriaan and De Kooning are house hold names.
Claudia is one of my talented students and she is about to turn 60 years old. Unfortunately I cannot give it to her personally because a planned surprise party is thwarted by Corona. Some luck however. The drawing will be included in a sort of liber amoricum and at first opportunity next year the party’s on for real. Anyway, I hope she likes it.
This graphite pencil drawing ‘Solarized Roundism – 26-11-21’ concerns a pose I had my model strike a couple of sessions ago. Strangely it takes me back a year ago when I experimented with solarization during the first lockdown in the Netherlands.
It is time for the elevation of Julia Filament. Sunday 7th November I finally met her again and we went to the Singer Laren Museum. She is a fine artist, graphic designer and great model.
Sunday last October 17th my parents and I visised the once-in-a-lifetime exhibition of Albrecht Dürer art works and contemporaries. Crime scene: Suermondt-Ludwig Museum at Aachen, Germany.
Who would have ever though of Geesje Kwak in Space? Of course she already was fond of higher spheres.
After my last graphite pencil drawing of Geesje Kwak -04-09-21 I felt one was missing in the series. I found a perfect mix of roundism and classic 17th lighting in the best Caravaggio and Rembrandt tradition.
Wag the dog was the first title that came to mind when I saw this beautiful photo. It stems from the 1930s I think.
This colored pencil drawing depicts the Herengracht in Leiden, Netherlands. The canal with its beautiful houses for the rich stands out in its grandeur compared to other minor ones.
My previous graphite pencil drawing ‘Geesje Kwak – 25-08-21’ was executed in my hatched strokes style and I kinda like it. Sometimes you just feel like doing this or that but in this particular case I understand better why.
Breitner took a couple of pictures of her in some backyard, perhaps his own. Who knows? For some reason I was inclined to use the principles of singularity as laid down in a drawing like Roundism (Singularity) – 01-06-17.
Following my last drawing of her this one of Geesje kwak was next in line. I must confess I get the hang of it or should I admit to an obsession? Well, maybe not that hefty but her appearance keeps intriguing me
After my last drawing of Geesje Kwak I did not have many new ideas. Then I remembered I had a photo of a seated female nude by Eugène Durieu.
After I drew the portrait of Geesje Kwak last month I discovered another picture taken by Breitner. It is slightly different and shows a bigger part of her body rather than her face only.
Today I returned to roundism again. Did you ever have the feeling that you had to burn all bridges? Something you could spend the rest of your life doing felt familiar and safe but nevertheless… Last year I did my last roundism drawing. After the completion I instinctively thought that was one final mark and then stop. Well, now I am not so sure anymore.
At the Binckhorst I met a model who posed nude for me and a student of mine. The live model sketch was in pastel and in fact I got the taste to do some more.
Sheep have more fun or do they? It so happened that my dear friend, poet and photographer Alexis de Roode went for a little stroll in nature.
Last Saturday I went to the Heineken Music Hall near the Johan Cruijff ArenA for my second vaccination shot. On the other side of the A2 there is Ouderkerk aan de Amstel, a village to the south of Amsterdam.
A day ago I experimented with Art Graf. I was quite surprized and therefor I thought it would be nice to do a portrait of Geesje Kwak.
Of late I am exploring textures of fabrics like satin, silk and all other shining objects such as gold and silver. Two months ago I made the first one, depicting Geesje Kwak.
This drawing of a woman in a red kimono is based on a session with my regular model. It so happened that I teamed up with a student of mine who rents a lovely studio in The Hague.
This graphite pencil drawing of Maassluis is an inbetween exercise. Lately I am fantasizing about combining ‘realism’ or whatever realism might mean to an artist and my personal roundism style.
Sometimes a model just can’t let go. After my last drawing Geesje Kwak still lingered in my mind. I also happened to find more pictures of her, taken by Breitner.
There is this girl that I know for a long time: Geesje Kwak. Throughout the decades I visited many museums. Once in a while I also come across Breitner’s famous oil paintings in the ‘Girl in Kimono series’.