
Amsterdam – Rijksmuseum – 27-04-19 (sold)
I went to visit the Amsterdam Rijksmuseum with my parents to see the exhibition ‘Alle Rembrandts’: All Rembrandt sketches and etchings, well most of them anyway.

I went to visit the Amsterdam Rijksmuseum with my parents to see the exhibition ‘Alle Rembrandts’: All Rembrandt sketches and etchings, well most of them anyway.

I was heading for Julia Filament’s exhibition on Katendrecht when I decided to take a detour through Kethel, a small encapsulated village in the north of Schiedam, near Rotterdam.

I am in a spring kind of mood and since my last drawing I see more blossoms although real fine weather is only due for next week.

The Vossendijk is the place where I was born, situated in Nijmegen, Gelderland, Netherlands.

This drawing is to celebrate human achievements and imagination in particular. To see one thing in another is something very real, surreal and metaphysical altogether.

This drawing is to celebrate the holy bond between the artist and his model.

Mira (2019) (sold) A commission for a drawing of a young woman that I already painted 9 years ago. Then a teenager, now a young woman and an excellent way to study the same face grown up. Special request was it to use the same color combination as in my drawing ‘sans titre – 06-10-16’ (depicting Natalie Wood). I focused on the geometrical shapes, almost wave-like throughout the wave and kept it in my egypt fashion, because that is the

The brown Eyed Girl (2018) (Sold) A commission for a classic portrait. I focused on the complexion of the beautiful young woman from indonesian and dutch origin, showing a great mixture of madder red, burnt sienna, green, purple, yellow and blue hues in her face. I decided to put the stress on the face and the hands and therefor asked her to wear something dark. It’s a hint to dutch masters of the 17th century that did the same in

Last week I went to visit Museum Kranenburgh at Bergen, Noord-Holland, Netherlands.

I was going to name this drawing ‘Heavenly Body – 17-10-18’, ‘Across the Universe’ after the Beatles song

I am not sure what I thought about her, except for her strong personality. I sometimes liked her paintings and then I didn’t. What I have in common with her is that we both are autodidacts and that we like(d) to go our own way in life. Somehow I always come across her once in a while and that is why I decided to draw her. I saw a lovely – rare – nude photograph and thought I’d include her in my sans titre / roundism series.

I just loved to break up a female’s body into vortices of vibrant colours one time and so this is the smashing result.

Once I was at the roof top of a friend of mine who held an exhibition in her home at Leischendam, looking over ‘De Sluisjes’ (the locks) in the centre.

Creation is a transformational process. I am fascinated by the thought I evoke chaos turning my graphite pencil fillings into dust and my pencil eraser into crumbles, but at the same time creating something new.

I always liked Diana Ross (except for that ghaslty song ‘My Old Piano’) and when I saw a video recently I was intrigued by this shiny 80-dress oozing out glitter and glamour.

At the time of completing this drawing The Sigg collection is on display at the Noord-Brabants Musem at ’s-Hertogenbosch, Netherlands.

This drawing started out with the framing of a circle, being the model’s right breast.

In this graphite pencil drawing ‘Roundism – 07-04-18 (Sold)’ I focused on triangular structures. A body can often show them when posing in a slanted position.

Seeing a photo of 1930s moviestar Myrna Loy reminded me of why I like this kind of photography so much.

Some years back I saw an incredible oil painting by Herman Gouwe of a sunset in cyan, yellow, purple and red and I it baffled me. How could bright shining light ever be portrayed better than this.

Some time ago I saw two horses when I walked across a small meadow. I was on my way to Museum Singer at Laren, Noord-Holland, Netherlands. It so happened that they were standing close to my favorite tree I painted years ago (Autumn Tree at Laren).

Recently I saw a picture of a model passing by posing a great triangular shape.

Based on a prestudy in pastel (Model – 01-12-18) I made this painting in oil. My objective was to stay in line with the fauvist colour kind of strokes (in case of the pastel they were pretty much ‘broken’ and ‘open’ strokes / patches) but also to get to a more abstract feel by means of rendering the model slighty cubistic.

Of late I use models lubed with a lot of oil, just like this art deco-style photograph, in order to obtain great highlights, lovely midtones and smashing darker tones, all divided by abrupt threashold values.

A new one in the sans titre series depicting Gone with the Wind actress Vivian Leigh. I like her cool looking appearnce hiding a turmoil of complex emotions, wandering from depression, alcoholism to briljant actorship and back, ending in her death by tuberculosis.

The 26th of December 2017 I was attending a concert by the Symfonie Orkest Nijmegen in the Stevenskerk at Nijmegen, Gelderland, Netherlands.


A new graphite pencil drawing in the roundism series in which I experimented with deformations of body shapes with the purpose of keeping the forms as ‘open’ as possible, so all forms can breathe, flowing from one into another.

Yesterday’s session at Rotterdam offered Gabriëlle, the model of that Sunday afternoon. She had great hip bones and was slender, thus showing great angles and triangles with her body.

Working again with my favourite model I took bodyscapes of her and saw limbs running back on the canvas apparently deattached from the body.